Fashion can
be considered a motif in Black Beauty as
it is mentioned several times throughout the novel. Fashion, according to the horses in Black Beauty, is an incomprehensible
concept. Much of the horses’ pain and
discomfort is due to the need for fashion in human society. This “fashion” described by Sewell is not so
much referring to the style of clothing as it is to what’s popular in society
at the moment, what’s culturally acceptable, or what the typical custom
is. The concept of fashion in Black
Beauty challenges the value of human societal ideals.
There is one point in the novel where Ginger, Black Beauty, and Sir
Oliver are discussing the peculiar things that humans do to animals. Ginger inquires why many of her masters have
used the uncomfortable gag bits, since they seem so unnecessary and add
discomfort to the horse. She concludes
that “it is fashion that makes them strap our heads up with those horrid bits
that I was tortured with in London.” Sir
Oliver adds, “Fashion is one of the wickedest things in the world. ” Later in their conversation, Black Beauty asks
why the unpleasant blinkers are only used on horses pulling carriages and
loads, but not on ladies’ horses. Sir Oliver responds, “There is no reason at
all…except for the fashion.”
Fashion, in Black Beauty, is negatively associated with humans. This “fashion” is something humans value, but
horses cannot understand. It is
described as reasonless and causes pain and discomfort to the horses. By the horses, fashion is regarded as “wicked.” Sewell uses the motif of fashion to comment
on human society’s restrictive requirements.
The blinkers and gag bits, which are human-made, mainly cause suffering
to the horses and restrict their freedom of movement. Likewise, societal rules are made up by
people and can be regarded as restrictive, sometimes causing discomfort for the
people living under them. Sewell uses
the horses’ voice in the novel to shed light on societal value’s
meaninglessness as well as the mistreatment of animals in her novel.
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